An error in Adobe Premiere Pro threatens to send Da Boss over the edge. I’m not going with him.
Land of Bad's trajectory is becoming common: a perfunctory theatrical release before landing on Netflix a few months later and dominating the charts.
Ken Russell gets back to basics and even weirder with The Lair of the White Worm (1988).
Born to Win is a superlative drug film, and one of the few films of the New Hollywood that remains relatively underappreciated.
The Searchers is a troubling film precisely because the genocidal colonists that make up its core cast of characters are human.
Salome’s Last Dance is a movie as only Ken Russell can make, precision and tastelessness feeding on each other.
Robert Aldrich’s Hustle, successful in 1975, only dated now by its lazy cinematography.
Or, why do I have to be his Emilio?
National Anthem is a much more multi-faceted and fair depiction of rural America than Hillbilly Elegy.
Ken Russell's romantic and minimal Gothic (1987) and its sly black comedy.
Jacques Demy and Wong Kar-wai as gateways into world cinema for a lifelong browser.
Longlegs is an uninspired slog.
Love Lies Bleeding is a ho-hum movie, nothing more.
It's written like the series isn’t ending soon.
The slight Netflix documentary offers some tidbits that probably only his fans will appreciate.
A love triangle at the end of the world in The Last Woman on Earth (1960).
It’s dark, bloody and unsettling; if it’s sometimes slow, it’s also strange enough that the pacing works.
The Wasp Woman (1959) isn’t only a sci-fi classic but also a fascinating exploration of a woman’s place in a man’s world.
Looking back at 1958 film, She Gods of Shark Reef.
Its star, Gerard Depardieu, is now facing many allegations of sexual assaults over the decades.
A show that makes no sense—but lots of dollars.
The late icon talks about doing 100 takes of the same scene and why 99% of actors love Robert Altman in this September 29, 1980 BBC interview.
The filmmaker talks about The Bride's famous tracksuit, retiring at your peak, and meeting Simon Cowell in this interview from Friday Night with Jonathan Ross.
The director and co-stars of the 1978 grindhouse classic talk about their film with Mick Garris.
The actor recounts many of the films in his celebrated career in this interview by the SAG-AFTRA Foundation.
The late film icon talks about how she was discovered by Robert Altman and more in this September 27, 1984 interview.
A relatively recent and under-seen documentary on the life and work of Robert Altman.
The late horror icon talks to Terry Gross about reality, dreams, nightmares, and more in this 1987 interview.
The actress and director talk about their new film MaXXXine.
The actor talks about his work with the late director, including Attack, The Dirty Dozen, and Emperor of the North Pole.