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Splice Archive
The Searchers, The Lavender Hill Mob, and The Front Room at the Charles Theatre in Baltimore.
The 4:30 Movie is Kevin Smith’s The Fabelmans, and it's his best movie in years.
Monica tries to get Da Boss into the great outdoors and fails miserably.
Ghidorah, the Three-Headed Monster: Ishiro Honda and Shinichi Sekizawa concocted a sci-fi story with some espionage elements, and then filled it with giant monsters.
Looking at Todd Solondz’s 1989 debut Fear, Anxiety, Depression, long since unavailable, disowned by the director.
Wake Up, Ron Burgundy is an underseen 2005 alternate cut of Anchorman, widely available but rarely discussed as a cinematic comedic experiment.
His Three Daughters is Azazel Jacob's best film so far.
Monica runs into an unexpected issue preparing the DCP for one of SATUR-19’s segments.
What makes Rebel Ridge so satisfying is its specificity.
Dangerous Crossing (1953), modern luxury cruises, and the empty promises of garrish behemoths always at sea and always adrift.
The black humor and inside/meta-jokes of Beetlejuice Beetlejuice that will surely fly over younger audiences' heads.
An indie body horror film that curls up in misery like a cat.
It shines a spotlight on DEI grifters profiting by drumming up white guilt.
Jack Nicholson’s performance is unforgettable.
They range from ebullience to degradation.
It’s curtains for talking pictures.
Love, Charlie chronicles the rise and fall of a success that wasn't built to last.
Alec Baldwin to star?
Am I Ok? is a fine if flawed film about late-lesbian love.
Box office necessity is the mother of an evil inventor.
Love Lies Bleeding is a ho-hum movie, nothing more.
An analysis of Fincher's "relentless" filmmaking philosophy and practice.
The actor talks about his disappointing sequel with Bobbie Wygant.
The late actress talks about her work with James Dean and George Stevens in this 1996 interview.
The actor talks about Wes Craven keeping the man behind the voice of Ghostface secret from the rest of the cast in this December 9, 1997.
Part one of what must be a very long conversation (this is almost two hours).
The producer of The Sting talks about her tell-all book You'll Never Eat Lunch in This Town Again with the late talk show host.
The director talks about his life in movies and how "you have to brace yourself for bozos."
Behind the scenes of Spike Lee's 1989 masterpiece.
The filmmaker and writer talk about French cinema, adaptation, and more.