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Splice Archive
You can have your job as long as you want (because you look good on the deck).
Joachim Trier’s follow-up to The Worst Person in the World is an inventive spin on a typical family drama.
New films by Alexandre Koberidze, Claire Denis, and Lav Diaz at the New York Film Festival.
On the widescreen, they're the haunts of drifters, drug dealers and misfits.
Wagner Moura distinguishes himself in The Secret Agent.
A few of the remarkably prolific actor's most curious films.
Kelly Reichardt's The Mastermind is an evolution of her form and the heist genre.
Play Dirty deserved better than to be dumped on Amazon Prime.
A House of Dynamite is a strange nuclear drama by Kathryn Bigelow.
Poorly executed and politicaly incoherent, One Battle After Another is the worst film of Paul Thomas Anderson's career.
Richard Linklater's Blue Moon and Radu Jude's Dracula take opposite angles on people who want to be taken seriously.
Emilie Blichfeldt’s debut is harrowing and lovely.
Noah Baumbach’s latest dramedy is a deconstructionist take on one of Hollywood’s most recognizable leading men.
Hollywood has neglected the post-Pearl Harbor treatment of Japanese-Americans, but this film takes it on.
Trevor Moore’s Weapons, Pynchon’s Battle.
After the Hunt is Luca Guadagnino's worst film.
Great “Springtime for Hitler” in the remake.
Here’s to you, Billy Wilder.
Only Spielberg's Minority Report made The New York Times’ list of the 100 best films of the 21st century so far.
Lurker is a warning about the narcissistic, destructive abilities of those that call themselves “fans.”
Too much plot, too many metaphors.
The writer pans the new film from Paul Thomas Anderson.
Roger and James Deakins talk to the cinematographer of Heat and many more in this new interview.
The cinematographer talks about shooting There Will Be Blood, Punch-Drunk Love, and the end of his relationship with Paul Thomas Anderson.
Roger and James Deakins talk to the director of Exotica, The Sweet Hereafter, Seven Veils, and more.
Anderson, Leonardo DiCaprio, Teyana Taylor and more talk about their new film in this Q&A recorded at at Lincoln Center.
Paul Thomas Anderson talks to Mark Kermode and Simon Mayo about his new film.
The late filmmaker talks about All the President's Men in this BBC interview first aired on April 24, 1976.
Claude Lelouch's high speed drive through Paris on a sleepy Sunday morning in the summer of 1976.
The British film critic reviews the new film by Ethan Coen and Tricia Cooke.