Swell old advertisements, and Jeffrey Toobin’s a logical fit for The New York Times.
Alan J. Pakula’s 1992 thriller Consenting Adults is a superb Fatal Attraction rip-off, with a hilarious and chilling performance by Kevin Spacey.
The Gorge has a couple of very good-looking people—Miles Teller and Anya Taylor-Joy—but like most streaming movies, it looks terrible.
Ryan Murphy must read this before turning Bret Easton Ellis’ best novel into a television series.
A Self-Titled Mag interview with musician Billy Corgan vs. a Creative Independent interview with musician Tori Amos.
Schrader’s fans should be grateful that he only works with material that he has a personal connection with.
Waiting for the bumblebees and a Red Sox season. What year is it? (#541)
The world probably didn’t need a Hollywood hackwork Carrie.
An indie developer and a regular gamer discuss what they want from the medium.
Robert De Niro’s The Good Shepherd, one of the great unheralded movies of the 2000s.
Nobody wins.
Among the great thinkers, you can't throw a brick without hitting a would-be dictator.
Plus, beard of royal heir contemplated.
DOGE tinkers with space reconnaissance.
People keep trying to revise Homer.
The Ezra Klein Edict: he acts like a king because he’s a weak president.
The use of digital technology to resuscitate deceased actors ruined Alien: Romulus and established a worrying trend for the future of visual effects.
The threat from Trump is evident; what's next?
Musk and Trump’s good D.O.G.E./bad dog routine must end in huge budget cuts.
Keystone s.f. classic heavily faulted.
There's nothing like being in a city that just won the Super Bowl.
You can’t go home and you can’t stay here.
NFL players and performers didn’t deserve to be caught up in politics.
GQ talks to the actor about his 42-year career.
Never before officially released, a key piece of the score of the 1991 finale of Twin Peaks.
The late pianist interprets Bach in this 50-minute performance.
The Strokes frontman talks to Friedland in this previously unreleased interview.
The action movie stars talk about their joint enterprise Planet Hollywood.
The melancholy mock-player piano theme for Marlene Dietrich's character in Touch of Evil.
The late actress talks to the BBC in this 40-minute interview recorded on March 20, 1995.
45 minutes of MTV News segments and commercials that ran on the network in 29 years ago this month.
Stephanie Courtney, Dean Winters and Deanna Colon talk about their fame as television commercial icons.
The third and final track from O'Rourke's 2001 album I'm Happy, and I'm Singing, and a 1, 2, 3, 4.
The late artist talks about his body of work and his creative process in this January 13, 2006 interview.