Departments
Splice Archive
J.D. Considine’s masterpiece.
The psychology of interiors in Atom Egoyan's The Sweet Hereafter (1997).
Untitled Home Invasion Romance deserves to find an audience.
A rare common-sense essay in The New York Times. What year is it (#610)?
Has he gotten work done on his hair?
The Incomer is a sharp, unusual comedy that attacks self-imposed rules of civility.
My Sensei lays low as his comments against Paul Dano resurface at Sundance.
Notes on some positive developments.
Jason Statham's latest is a slog compared to 2024's The Beekeeper.
Looking through The Large Glass.
A 2018 Self-Titled Mag interview with musician Luke Jenner vs. a 2022 Vulture interview with music producer Chad Hugo.
Stand your lingual ground.
Of analytic philosophy and shaving kits.
New film The Musical is a nasty, scathing portrayal of an anti-hero middle-school educator.
Hint: it's not for making New People.
Does prompting ChatGPT to write make you a writer as well?
Make Mandibles Great Again.
There’s no right and left now, only right and wrong.
Hate doesn’t make you better than anyone else.
There’s no vegetable embargo.
If you don’t get it, you get it.
Kiss the left jackboot or the right?
Paul Greengrass’ new disaster thriller is more interested in terror than spectacle.
The Wilco frontman talks about his new solo album, a triple-LP called Twilight Override, in this new interview.
The band perform the lead single from Antics on this September 2004 episode of The Tonight Show with Jay Leno.
The director and star of I Want Your Sex talk about Generation Z and new expectations regarding sex in movies.
A compilation of the director's appearances through the years on Letterman's NBC and CBS talk shows.
The actor talks about the hermetic and anti-exhibition policies of the giant streamer.
The singer talks disillusionment, integrity, and his uneasy relationship with the music industry just as his band was splitting up.
The band play three songs earlier this month at Hey Sailor in Seaport, Maine.
The second side of 1971's Jack Johnson, with an unforgettable bassline by Michael Henderson.
The late singer performs with a full band at The Stone Pony in New Jersey in this recording from May 16, 2019.
The director of Exotica talks about Ingmar Bergman, Michael Haneke, Pier Paolo Pasolini, and more.
The magician explains why Dylan is misunderstood by so many people.