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  <body>&lt;p&gt;On their new EP, &lt;em&gt;Medium High&lt;/em&gt;, &lt;a href=&quot;http://www.the-1900s.com/&quot; target=&quot;_blank&quot;&gt;The 1900s&lt;/a&gt;, a
seven-piece from Chicago, navigate the same Belle and
Sebastian/Neko-era Velvet Underground pop territory as their first two
albums. Everything here sounds gorgeous: lush string backing, wonderful
harmonies between guitarist Edward Anderson and Jeanine O'Toole,
Caroline Donovan, and Andra Kulans (yes, three female vocalists),
swirling fuzz guitar (&quot;A Face I Know&quot;), Mike Jasinski's keyboard lines,
Tim Minnick's assured snare-heavy drumming. It all sounds so very grand, which fits a band that recorded its first album
before it ever played a live show. Though apparently they gave some
damn fine performances at SXSW a year or so ago&amp;mdash;so fine in fact that
one Spin critic called them &quot;Band of the Day.&quot; Check out this &lt;a href=&quot;http://www.youtube.com/watch?v=L-031N4yxQg&quot; target=&quot;_blank&quot;&gt;live
video&lt;/a&gt; from WGN (not sure
if I buy the Fleetwood Mac comparisons, but alright). &lt;em&gt;Medium High&lt;/em&gt;&amp;nbsp;will
surely keep the buzz going for the 1900s, and rightly so: They're
making some of the best indie pop out there right now. Despite
their pleasant sounding song titles&amp;mdash;&quot;A Face I Know,&quot; &quot;Making Love in
Summertime,&quot; etc.&amp;mdash;their lyrics are far darker. Take, for example, the
second verse from &quot;When I Say Cohen&quot;: &quot;Listen up, I never knew I'd ever
be so sad / I've been touched in places by very scary hands / If anyone
should ask me I'll tell them I don't know / I've been leaving all my
clues like footprints in the snow.&quot; Well then&amp;hellip;&lt;/p&gt;
&lt;p&gt;Highlights
here include the Camera Obscura-sounding &quot;Collections&quot; and &quot;Age of
Metal,&quot; which opens with gentle piano and acoustic guitar but builds to
heavy drum and fuzz guitar overtaking Anderson's &quot;Ohh, ohh, ohh&quot;s.
It's the middle of the EP, with &quot;Age of Metal&quot; and &quot;A Face I Know&quot;, where the
real guitar crunch comes in.&lt;/p&gt;
&lt;p&gt;Recommended situations for listening to &lt;em&gt;Medium High&lt;/em&gt;: Long drives on the 101; NYC coke parties; &lt;a href=&quot;http://www.youtube.com/watch?v=cZpg5dwgYNE&quot; target=&quot;_blank&quot;&gt;dancing, swirling, dancing!&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p class=&quot;photo-credit&quot;&gt;&quot;Collections&quot;&lt;/p&gt;
&lt;p&gt;
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&lt;/p&gt;
&lt;p class=&quot;photo-credit&quot;&gt;&quot;Age of Metals&quot;&lt;/p&gt;</body>
  <byline>Zach Kaufmann</byline>
  <cached-tag-list>the 1900s, medium high, best indie pop rock, psych, perfect vintage hipster</cached-tag-list>
  <caption></caption>
  <category>the-feed</category>
  <comments-count type="integer">0</comments-count>
  <created-at type="datetime">2009-02-25T14:39:13-05:00</created-at>
  <deck>&lt;p&gt;The 1900s are making some of the best indie pop available right now.&lt;/p&gt;</deck>
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  <id type="integer">3844</id>
  <permalink>of-this-century</permalink>
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  <publish-date type="datetime">2009-02-25T14:46:06-05:00</publish-date>
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  <title>Of this century</title>
  <topper-image>#&lt;Image:0x2ada1a87e4b0&gt;</topper-image>
  <updated-at type="datetime">2009-02-27T09:40:17-05:00</updated-at>
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